Men wear hats for various reasons. If evidence of previous civilizations left one thing clear to the annals of time, it is that hats insulate by trapping warm air and may protect from other elements, including moisture, animal bites, and the choking plague. Actually, the fashionability of hats in vogue today stems from such raw utility that has over time evolved to fulfill various functions, such as protective gear, occupational uniforms, practical gear, social and cultural communicative tools, gender constructs, and fashion items, the subject of contemporary consumer interest. In the United States, different styles of men's hats have gone in and out of fashion, and have been affected and created by events and paradigm shifts such as the rise of the Boy Scouts in the 1910s and the hippies in the 1960s, world wars in the mid-20th century, industry and technology shifts, and contemporary cultural proclivities.
The focus of this work is on the general progression of some 20th-century styles of men's hats in the United States, from the bowler to the western ten-gallon hat. The overarching inquiry is how these hats were historically worn (that is, in what contexts), and how has that changed over the years? The question is essential in forming an appreciation of the cultural significance of a genre of fashion nowhere near as crooked and tormented as the four-inch stiletto or nine-foot gown train.
The wearing of hats by men in the United States has followed a unique evolutionary trajectory that closely mirrors our national history. From the first colonists who altered felted wool hats to the original well-dressed businessman, our hat heritage has developed in step with the growth periods and wars that have filled our heritage. Men's hat fashions have waxed and waned with each decade since the 17th century Pilgrim, but rarely have they been anachronistic. By the mid-1960s, men's hats had become mere antiquities, outdistanced by the casual tenor of modern American life.
Psychologically, hats may be very important symbols in Western society as they occur in many idioms and metaphors. As men's fashion underwent significant changes from the 17th through the 19th centuries, several terms for hat brims also developed. It is a long-time sociological interest that hats are changing in today's society since distant technological improvements are believed to explain the shift in modern attire. This paper investigates the long path taken by men's hats from the pre-colonial days to their fairly recent fall from favor in Western society. As early as colonial times, the primary function of hats was to shelter heads and eyes from sun and wind, and hatter manufactured mainly felt hats, which had become the staple export from the Colonies by the mid-18th century.
Soon Americans would adapt new style felt hats that began to reappear up and down the seaboard once again. There were a few exceptions to this very Puritanical early colonial heritage of headwear styles that differed markedly from what was considered fashionable abroad. They became willing to wear felt hats, particularly bearskin hats, during the French and Indian War against the French and Aboriginals in the mid-1700s. For well over a century, hats diversified and characterized class rank and profession. The Industrial Revolution permitted manufacturers to experiment with a wide range of fabrics, featuring some unusual styling. Hat use reflected engaging social history until the mid-20th century.
Baseball Cap The baseball cap is by far one of the most popular types of hats in the United States. It was originally designed for athletes participating in baseball games as a way to keep the sun out of the eyes and the sweat out of the eyes. Over time, the baseball cap became popular among the general public with or without the presence of a logo or slogan of a sports team, country, or corporation. Baseball caps are available in a number of different colors, so choosing one to match an outfit is quite simple. Furthermore, some baseball caps have a fitted look with a curved brim, which helps direct rain away from the face, while others have no specific fitted shape at all. Fedora Hat The fedora hat is a type of felt hat that features a crease on the top of the hat and a teardrop crown. The brim generally has a snap to give it a curled look. It was introduced in 1891 and remained popular until it fell out of mainstream fashion to be associated with mobsters and jazz musicians. Recently, fedora hats have again become popular, particularly among celebrities. Furthermore, when men are wearing more formal attire, a fedora hat is a simple and yet elegant way to add the finishing touch. Cowboy Hat As the name implies, the cowboy hat is designed for those working on the ranch. It is made of straw, felt, and leather, making it easy to clean and shape to individual needs. For working, a cowboy hat is worn to protect the head and neck from the sun, rain, or maybe even falling machinery. However, cowboy hats are also worn today as a fashion statement that exudes a relaxed, wild west attitude. Although cowboy hats traditionally come in shades of beige and brown, a number of colors are now available. Furthermore, cowboy hats look good with rugged wear as well as casual wear. The most significant features of a cowboy hat are that the brim is wide and the crown is high. Beanie Hat The beanie hat is made of wool, polyester, or other sorts of fabric and easily fits to the shape of one’s head. The hat of a beanie is made without a brim and with a fold or with occasional attachments to the top. It truly is a one-size-fits-all type of hat! The beanie hat began in the 12th century as a way of protecting people in parts of Europe who had to work outdoors from the cold. Furthermore, a range of plain and colorful styles are available, considering cold weather beanies, summer beanies, basic and intricate patterns, and short to long tops. The reason for wearing a beanie hat is to keep warm, but it soon becomes a nice accessory for a casual, comfortable look on a cold day. Trilby Hat Unlike the fedora, the trilby hat features a smaller brim and a differently shaped crown. A trilby hat is equipped with a narrow, pre-snapped brim in the front, giving it a slight slope on both sides. The crown, like the fedora, is indented in the center with two parallel indents in front and running side to back. In popular culture, in a variety of settings such as television, movies, or in art and photography, the trilby stereotypically denotes a cosmopolitan, sophisticated, and even snobbish form associated with trivia and hipsterism; or even a Bohemian look. A grey or, less often, a black with a blue edge or trim is the common color of a trilby hat. In the United States, most trilby hats have a consistent ribbon color rather than a ribbon. In the early 20th century, the word trilby became used to refer to such a male hat. Only the fans of country culture and hipsters; few men wear trilby hats today.
Baseball caps are an iconic variation of headwear in American culture and beyond. At the core, baseball hats can be defined as a casual hat with a short, stiff visor projecting horizontally from the cap, unlike a beanie, beret, or cowboy hat, which have a non-rigid shape, or newsboy caps and Panamas, which have more flexible, curved visors. In functionality, the baseball cap is a modest, warm-weather adaptation of the sporting hat, or visor, brimmed only in front that players in baseball, golf, and bicycling have worn for decades.
After soldiers in World War I popularized the style, outdoor retailers in the US began stocking the sporting caps for non-athletic use by the early 1920s. Once hats stopped being merely functional and began meshing with fashion, they began to hold a larger cultural significance. While the sports cap is rooted in athleticism and sporty endeavors, it has been adapted over time to make play customs and casual fashion customs. Baseball caps today, made from countless materials and available in innumerable shapes and colors, are used not only by athletes and weekend warriors but by individuals walking city streets and catwalk runways across the globe. They come in various fits, with dad hats and snapbacks being the most prevalent. When fitted, the cap is stiffened by a ring of cardboard sewn to the exact circumference of the hat. The open back section has straps that let users fix the cap’s fit to a broader range than a fitted cap. The slide strap is a one-size-fits-all, single-strap fabric or leather back. It is simple to operate, allowing you to fine-tune the proximity and depth quickly.
In 1919, one hat company advertised that the purchase of one of their men’s hats with flexible brims was a good “business” investment because the next new trend in men’s headwear was shorter and larger in volume and dished in shape. According to this company, the new fashionable hats were similar to women’s styles. By featuring the fedora in advertisements from the late 1920s through the current millennium, the contemporary press has confirmed that the fedora has been one of America’s favorite hats through the ages. Men wear the fedora. Women on rare occasions don fedoras. Most women, however, prefer trilbys or cloches to suit the femininity of their attire and a taste of cloche panache. The fedora, a man’s hat, is officewear, a felt wide-brimmed touch of formality. Divorced from its topcoat, high-heeled boot look, men could hardly find a way to pull off the high style of the Miami Vice fedora without self-conscious smirks of irony. Removed from the female office formality of hat and suit or skirt, or hat, dress, and gloves, the felt fedora sometimes reads poshly laid-back on a girl. About a decade ago, fashion did test the fedora’s broader appeal as a styling twist.
Fedora hats sport a flexible brim, a springing crown, and a belted decorative ribbon of varying width. Originally men’s hats, fedoras are now unisex. In America, not too long ago, fedoras were present at both high and low weddings, at formal business and casual affairs. Felt fedoras are best worn to formal, business, or casual outdoor events. Straw fedoras come in Ecuador grade and palm grade at the hat, and they usually carry a warm weather distinction. In the early 1920s, fedoras were low-crowned front, tall-crowned back hats with brims that could be shaped, forming increasingly dished shapes; many of these were given to quick snapping up the back and down the front. In the late 1920s, the high crown was the high style of popular choice. Toward the end of the 1930s, you would find fedoras with three-inch crowns and shorter. At the regular stores, you can still find three-inch crown fedoras. Classic low crown fedoras and teardrop public crowns run under three inches. The teardrop fedora shape, wider-brimmed look of the 1940s, is just one of many! In the mid-1940s, too, some cool cats were beginning to don the narrow-brim fedoras whose peak popularity was the 1950s under the interpretive hands of Hollywood’s film noir and the Rat Pack. This pinched porkpie style, a variant fedora to the rule, is still available today. Think of jazz and the Depression era to call up the essence of the fedora. Think Bogie. He is the fedora’s ambassador of cool. The short porkpie, the wide-brim fedora... when the unhip sit down in the barber’s chair, it is the Bohemian burly-Q, the jazz jive, the rockabilly that dances in his head. Without Bogie and these guys, the fedora of a man in a suit would be contrivedly transformed into Bruno the hotel bellhop extra. A girl in a fedora could host a neo-nostalgia contest simply by donning one. Stylistically aloof, the fedora carries the scent of the mystery brewing in gin-filled speakeasy glasses.
One cannot have a discussion about American hats without touching upon the iconic cowboy hat. Although this Stetson originated in the rural West, it has transcended regions and professions to become one of the most iconic symbols of American identity. Very few people who don the cowboy hat have ever stepped foot in a cattle ranch, but the association remains just the same. In rural regions today, cowboy hats are simply another piece of working gear, and special care is taken to select hats that provide practical weather protection and durability. These no-nonsense hats are made with the same skill and craftsmanship as the dress hats of a century ago. Authentic felt cowboy hats are made from dense, water-repellent beaver fur felt, have leather sweatbands, and wide brims. They are constructed with a flat-topped crown, but the hat can be shaped into the creased designs that have been adopted for different purposes and regional dress.
Rodeo cowboys started wearing cowboy hats in the early 20th century in order to maintain the bold and dashing cowboy imagery often associated with the Wild West by the popularized Western films. Cowboy hats played an essential role in the rise of Western films, starring the most loved character in all American history. Western films started focusing on the individual cowboy as a hero or an outlaw, going against the establishment. Rodeos and cowboy hats both represent individuality and freedom. The connection between these two is the freedom to choose to be different while maintaining one's distinctiveness. As such, rodeos and cowboys are still a big business in American society, and they have had an enormous impact on the world of fashion and music. In the early 20th century, country musicians started adopting the cowboy hat, and 200 years later, the cowboy hat has since then settled into a major artifact of pop culture and fashion.
Beanie hats have been prevalent since the 20th century. Their main function was to provide warmth or keep hair in place for a variety of workers and athletes. Their evolution seems to be neatly divided into two facets: actual beanies and those corresponding with general headwear. In the fashion industry, especially street fashion, beanies' influence seems to match the vibe with a brace of versatility and functionality that is out of the league for all time. Unisex, upscale, and casual, this type of hat indeed excels over ethnic lines and generations, thus making them the best accessory for individuals with different tastes. They come in different styles such as cuffed, long, and alternatives. They are adornment-free and come in various textures. Cuffed beanies give off a casual look; those that come in fleece lining and those that are cable-knit are popular features. Incorporated with a stylish shirt and bodycon dress, they maintain a comfortable chic look and give off a young vibe that simplifies things. Beanie hats on their own represent a sense of indolent style and comfortable luxury. Beanies can be paired with any clothes and shoes in the closet, which gives a reasonable hope of an easy march and no major headaches when trying to get ready. Winter is the best season to wear these items since wearing bodycon beneath a coat keeps one safe from the nippy weather. It is a perfect form of clothing for individuals and shows youth culture, streetwear, or mainstream views. Anywhere across the country, people living in chilly or freezing weather often team up with a lot of puffer coats seen in cold conditions. The beanie is a very warm hat and often the only outer layer of clothing that is worn throughout the day.
In the early years of the twentieth century, the trilby was designed from traditionally masculine fabrics. Historically, trilbys fell into the category of men's sportswear or indulgence wear. The indented crown of the trilby is similar to a pork pie hat, but it features a traditional brim that has a more pronounced turn-up. Although the inclined shape of the brim is similar to the snap brim style of the fedora, the trilby is ironically the heftiest of all hats. Since the 1960s era of the British mod, the trilby hat has been used as a retro-related accessory that may be worn casually away from formal menswear of a suit and tie. During the 1980s, cultural accessories such as the trilby became underappreciated, but during the 2000s, pop culture such as indie and hipsters brought back its appeal.
A traditional trilby hat might be constructed from wool felt, faux or real fur felt, or it might be woven with straw material. Although more casual than the derby bowler, trilbys are generally adorned with grosgrain ribbon or rich silk. The trilby is associated with weekend or more casual wear and is better worn in the evening, especially during celebrations, intimate date nights, arts, or music nights. Today, various hats are made from man-made, as well as authentic, derivatives such as wool or real fur felt, but its original design was intended to be made of felt fur, typically rabbit. Given the tides of American pop culture, trilby hats began appearing on the heads of jazz, ska, and other musicians. They are also donned by hosts of television shows for cultural reclamation.
Traditionally, men's hats in the United States have been made from wool or wool without sweatbands at the beginning of the 21st century. At the other end of the quality range are hats made of synthetic fabrics such as polyester, nylon, and polypropylene, to name a few. A great many hats are made of "straw" (i.e., any number of non-wool vegetable fibers). In fact, some hats are crocheted. Materials determine the types of hats that can be made and the occasions on which to wear them. For example, a brimmed wool felt hat is acceptable any day and any time, while a straw hat is best worn after Memorial Day and before Labor Day.
A fine, high-quality brimmed hat may require months to produce. Of the processes used to make hats, the most important distinction is that between knitted and woven felts. Slightly less important, but by no means less indispensable, are the matters of blocking or molding, dyeing or finishing, and stitching or sewing. The personnel and stages involved in making high-quality felts can be divided in different ways, but most commonly are grouped by the jobs of the cutter, the blocker, the pouncer, the ironer, the ribboner, and so on. It has been estimated that only about 3% of the total U.S. hat production can qualify as a luxury item. The American public also indicated that household economy would be the major inducement for purchasing hats in the future. Fewer consumers now than in the past would buy a hat for special occasions, and many expect that the quality of new hats will not compare with that of old varieties.
New environmental practices are also being developed with respect to finishing and dyeing of hat fabrics. In the future, sustainable practices and the use of recycled materials may serve the same consumer interest in hats as in other types of apparel. Technical salespeople cited some other possible benefits from future advancements, such as a reduction in the cost of custom making, or the development of hats that can be custom made by ordinary hat sales staff. Potential increases in demand because of successful product innovations as yet to be made have not been seriously considered by salesmen. As they consider the effects of future developments, these issues and the following have also been cited:
• Tech and other machinery advances. Innovations could be developed in the parachute and glove business that could contribute to hat manufacturing automation. Hat design will also be influenced by the constraints and performance of the above. Technical people among the hat trade researched were asked to cite the type of automatic equipment that could have the greatest effect on hat making in the 1960s. Most frequent were suggestions and/or references to the importance of equipment for forming and finishing operations. The mechanisms and techniques, such as air and vacuum techniques, touch-and-feel-type machinery, microwave and infrared energy, laser beams, and the space industry, are varied and interesting. Some manufacturers emphasized the importance of handling equipment.
Throughout the years, men’s hats have had profound cultural significance. During specific decades, men’s hat styles were identified, and these styles evolved with time. The beginnings and endings of these trends are often connected to larger societal and cultural movements, as hat fashions tended to be slower to change compared to more temporary trends, such as clothing, hairstyles, and shoes. Sometimes the question of whether to wear a hat is a personal one, or a whimsical one, and men often donned a hat just for practicality or to designate authority in an early industrialized, culturally stratified America. Throughout the decades, several different hat styles were widely worn. From round-topped bowlers and derbies to taller fedoras and homburgs, hat styles in America shifted in shape and size as well as popularity. When iconic figures appeared in fashion shows, music videos, or films, they influenced not just a headwear trend, but eventually a wider fashion trend and popular culture. For example, no mention of men and hats is complete without referencing old-fashioned men of television with their no longer modern fedoras tilted just so or iconic film scenes featuring felt Western cowboy hats. Influential fashion shows led the way in adapting hats to tell a story of their own, from structured, man-spread fedoras to graphic baseball caps. In the aftermath of September 11, 2001, men tucked away their urban chic baseball hats and opted to top themselves instead with respectful, self-proclaimed 'dignity hats,' or dress fedoras and trilbies or strong cowboy hats.
Whether on the big screen in popular American film and television programming, billboard images, music videos, glossy magazines, or other venues, hats in popular culture – pop culture for short – have long been a staple. As a frequently donned external garment, fedoras, derbies, boaters, pork pies, homburgs, and all manner of caps are used as gauges of character and personality. From Humphrey Bogart’s fedora to Samuel L. Jackson’s pork pie, the choice of hat can say a lot about the person wearing it: moxie and style, sensitivity and humanity, humor and whimsy, and even counting an affinity for a certain character. Whether the topics are big, small, or different, some hats have retained their iconic status throughout American pop culture.
Screen prints aside, hats are also big in music, particularly in hip-hop. The white hat/black hat fashion code employed by the bad guy/good guy genre helped to create a canonical look when fedoras were still de rigueur, but modern classic jazz master approaches the subject differently. In a television series, a white woman appears on-screen wearing a stylish hat during the “Golden Age of Jazz” episode. "I just had to have a hat," she says, in order to “feel jazz.” While no other part of her clothing is visible, just the hat, a number of other images appeared on-screen featuring hats in response to this woman's comment. Viewers saw members of the Social Aid and Pleasure Clubs of New Orleans in their evening wear, which includes derbies; the leading figures of the late '30s white jazz band sporting pork pies, yellow derbies, and regular derbies; and a photograph of influential New Orleans clarinetist wearing a casual newsboy cap. It is also worth noting that movie actors began appearing in vintage hats such as the homburg and fedora as the 20th century drew to a close.
Throughout history in the United States, there has been a connection between the type of hat one wears and one's social status. For example, top hats and fedoras have been associated with social occasions and are of higher quality, hence signifying a more qualitative experience. Additionally, one's profession can be deduced from their hat. A top hat typically indicates wealth, while baseball caps have been associated with urban, rural, and casual life. Social context determines the styles conducive to the lifestyle. There are hats that encompass belonging and identity. In modern times, hats are no longer indicative of social class; however, their connection to upper levels of business and class progress has been instilled. Laborers wear hats to protect themselves from their harsh work environments. Pictured either lying broken or bowed to a fetus shows an example of hats characteristic within a certain profession. Longshoremen were responsible for other people's excess, which may be the reason for their type of white hat: address excess.
The top hat has never reached the peasant or working people, and while men no longer wear the top hat regularly, a gentleman may own one because of its emblematic association with wealth. Hats worn in public are probable signs of the wealth of an individual, status, and possibly occupation. In both historic and modern examples, unless they are wearing a uniform, the hat is the single constant in indicating a gentleman. In a digital age where much of our information is imputed or inferred from instantaneous communication, one’s attire and posture greatly influence the judgment of others about this unknown person. This is especially true of professional clothing, where standards of dress in attire are a serious consideration for identifying someone in their respective profession. Hats in business hold a similar value as clothing, albeit hats themselves have a more storied, cultural connotation. While hats have come to be distanced from being the social symbol bearer in Western society, ongoing turns from major cultural happenings that undermine societal norms have allowed for this dietary accessory to make a bold resurgence.
Evolving cultural norms have dictated that it is acceptable to wear hats in informal settings, but not in formal ones. The perception, if not the reality, is that a hat worn with a tuxedo makes the wearer seem unrefined, connected to a stereotype through a certain style of hat that dates back to the 1930s and 40s, which often can only be worn with a tuxedo. Some casual suits and blazers can be worn with formal dress hats. The second section of this guide will, therefore, tell you both what situations merit a hat and what hat you should wear in those situations.
In most situations in the United States, a guy wearing a hat instead of carrying one—perhaps from the pub to breakfast—risks appearing as though he is trying to hide unkempt hair, rather than trying to be proper. Of course, the shade of a hat’s assertiveness also depends on the confidence and charisma of the guy wearing it; I’ve seen young men capably pull off a Borsalino in many settings other than a downtown financial district. A fashion-forward young man could choose one of these to throw on with any outfit for a fast errand around town. With a black suit, they could be worn to a wedding. A flavored-brim fedora, especially with a hatband of the same color and different texture, is a very sharp addition to any casual or warm-weather suit. More traditional navy or cognac brims complement outfits of the same colors in checks or houndstooth. The unlined straw hat is perfect with a suit of vibrant, resort-chic shade. Bookended with a shirt of a deeper color and shoes with a little shade in between shirt and suit, the hat matches the major hues of the outfit.
Hats offer an additional form of identity expression for men. Ranging from aviator caps to snapback baseball caps, these styles can reflect personal beliefs, the music one listens to, or the sports team one supports. Representing a wide array of the population, they can signal any group from IT workers to truckers to hipsters. These styles further demarcate the lines of individuality through the use of different materials and methods of construction, adding more possibilities for hat connoisseurs. One can even wear something as laid back as a "dad hat" or as formal as a top hat. Furthermore, the importance of a certain brand associated with a subculture displays that hats serve as a marker of identity. Whether an individual is wearing a snapback or a hat can demonstrate their association with those particular subcultures.
These self-imposed identities become extremely important for fans of these celebrities and subcultures, as the identity created with a hat can become a matter of emotional self-worth. In relation to athletes and popular entertainers, all of the interviewees said their hat-wearing habits had a direct relationship to them being fans of a particular athlete, sport, or musician. Wearing the hats made them feel closer to the players because they were using the same equipment. Despite the athlete or artist's hat having the same form as any other hat, their "hat association" with it excited them. This shows that social association with a hat, particularly with a famous personality, can cement the identity of the wearer, and wearing the hat can make the wearer feel as though they possess something unique to themselves if they highly identify with that personality. This further demonstrates the extent to which an individual endows meaning on a hat.
Who does not envision tubby airline pilots in engineering caps? Men’s hats are part of the image and cultural significance of sports. Baseball and its baseball cap are emblematic. Indeed, for people outside the sport, the cap conveys the spirit of the game better than the men or equipment. Maine smoked glass spectacles on Red Auerbach, P.J. Carlesimo, Bill Fitch, and all the days.
Hats accent identity and communicate affiliation. Players are the hat wearers, but so are fans, and teams have used hats as fan gear. Hats form focal points of venerable memories, of legends crafted by personalities—famed ballplayers, sometimes more as athletes, sometimes as rogues or even as symbols of cultural diversity—who popularized hat styles such as broad-brimmed caps, pillbox styles, winged looks, and backwards caps. What cap was ever marketed as retail gear for growing boys, for Little Leaguers?
Hats also serve a certain utility in some sports. Unlike baseball and football, wrestling headwear, modeled after a Roman gladiator’s headgear, protects against “scratches” (abrasions) and “cauliflower ear” (acute solid swelling resulting in the visible disfiguration and misshaping of the ear). Sports caps tend to be “sporty,” stylish but usually not frivolous. But not always on account of baseball. Elsewhere, basketball players wear do-rags and ripped-off babushkas, plus visors. Fair weather football players sometimes wear knit caps, and quarterbacks from east of the Cascades sometimes appear garbed in scuba casque hats, to shield their ears where they tuck their communications devices. In auto racing, safety helmets turned into styling bonanzas. Across the Atlantic, English cricketers wear caps that fit just a bit oversized about the head, with long brims protecting the neck from solitude. International skiers wear crash helmets, and in football, goalkeepers appear suited for combat with their helmets. At times, helmets suggest an era-long sense of reasoning and practicality, whether for performers, equipment, or fans. Golfers wear visors familiar in every gender and design, as do tennis players of both stripes. In many sports, strong regional dispositions might also play a role. For instance, wrestlers familiarized many U.S. fans to the allure of high-cut socks way ahead of the argyle invasion of hipsters. Sportswear companies, of course, also have an interest in shaping tastes. They leverage athletic franchises and individual athletes in fabricating social trends and linking them to fashion. Hat sales are big business, and fans buy authentic, licensed top hats as collector’s items. Much of the revenue goes to sports leagues and governing bodies, too. Pride again, you know, for loyalty to the hometown athlete and sports fashion.
Texas has more cowboy hat retailers than any other state, and cowboy hats have been part of this region’s uniform for decades. In the Midwest, trilbies and fedoras hold appeal, while in the Pacific Northwest, beanie hats are on-trend. Styles in the South and Northeast are not as defined. Regional hat styles make sense when cultural and historical influences are considered. Climate and changes in historical dress are other factors. In some of the early years of westward expansion, fur-felt, wide-brimmed hats were popular among frontiersmen in part because of a lack of natural resources, like trees for wood hats. Some bulky cowboy hats with pinched fronts could also be used as cheap firefighter headgear, offering wearers dual utility. Pronghorn antelope skin hats are specific to the Wichita and Cherokee tribes in their historic shadows of western expansion.
Hats offer a physical buffer to climate. Since hats are wearable for long durations, they have to function with the person’s body. Cowboy hats often have open crowns that allow for more airflow, while felt these days provides ultraviolet protection. Historical use and hat culture can greatly influence local hat trends, as well. Now, members of the region where certain historical narratives are based will pull straw hats from the closet and flock to movie screenings clad in hoop skirts for an entirely immersive and regional experience. Regional hats symbolize or are worn for tradition or to convey local history. This facet of regional hat culture can also prevent new trends from truly catching on, especially in old money, company factories, and other holdouts where workers display a certain continued uniformity. Some locations have changing populations that fuel new hat trends. In some cases, through-migration states are where new ideas start. National and global cultural exports mean that any area could be a place for hats that mimic very different climates and customs. Fashion itself is a mix of tradition and modernity, of classic patterns taken into completely new light. Cultural blending and borrowing in hats are still highly polar, with a large number of fashion representatives striving to fit in with traditional regional hats and only a few opting for something totally new. The same interplay of tradition and globalization can be found in other indigenous fashion designs, as well. In contrast to fashion trends, architecture is primarily regionally specific, meaning that when a typical house from a certain tribe was replicated from one area to another, craftsmanship and regional identity were the two goals, not a blend of tradition and modernity. Just as in architecture, though, some hat makers try to appeal to a global nature enthusiast type by mashing together hats from all over the world and history.
Hat etiquette was once an essential part of men’s dress, including when and where to wear a hat, as well as when to remove and tip it. A gentleman might wear a hat at a baseball game, during a summer boat race, on a transatlantic voyage, or while on vacation. Traditionally, hats were removed in many instances, including at restaurants, school classrooms, churches, homes, elevators, public buildings, and courtrooms, and while being introduced to someone. Hats were to be removed at a play or movie in the presence of a woman or somehow special person of social status. Of course, in business situations, shaken hands or in general professional public situations, it is not necessary to remove a hat, and it is even frowned upon, as women's hats were taken off in these instances.
All hat customs originate in manners and are designed to ensure that encounters between people flow as smoothly and unemotionally as possible. Manners provide comfort and security for people of any class. Fashion gives everyone a way to tell at a glance where a person belongs in the social order and how you are to treat them. Manners and style go hand in hand, as predicted a century and a half ago. Some people wear hats because they are well-mannered, and etiquette matters deeply to them. They believe hats let others know a little bit about the kind of role they are playing in social or business situations. Some people still wear them because they care what is culturally correct. They believe hats demonstrate respect for others and the environment they are in. They care about dressing for the occasion appropriately, enhancing rather than undermining their look when wearing hats. A teacher wore a hat to school to show a different attitude toward learning a few years ago. It was the close of schools or Easter. These days, few people even know what etiquette is, or manners, or how to be fashionable, if they even care.
Celebrity Influence on Men’s Hat Trends
When people in the public eye wear a hat, it enters the public consciousness. Movie stars, entertainers, and even political figures have had a large impact on men's hats. Australian actor wore his iconic cork hat throughout his movie series in the late 1980s at the height of popularity. Hat stores saw a significant increase in sales. Singer and have sold significant quantities of hats for their role in the music industry. In general, however, musicians don't just popularize their own designs. Several stars in the past few years have attached their names to hat brand deals to produce exclusive lines. For example, has designed a collection for a well-known brand, and bassist has helped design a wool fedora for another brand. Social media use has accelerated this further, as stars share images of themselves in different hat styles with their fans. Public figures appear to have an immense and lasting impact on the purchasing choices of individuals. They have the rare capacity to establish a look, starting a craze that can endure for years in some instances. The cyclical aspect of renowned admiration can also hasten a tendency that might have otherwise taken longer to develop. From this standpoint, celebrities have had a profound impact on the history of the hat. Their stylistic view, word of mouth, and love for items are all facilitated by their own personal brand. began a successful hat line primarily due to his own celebrity. Personal style appeals to people, and those who have been successful using accessories will continue to lead in men's hats with their examples.
For much of the 20th century, American hat makers were abundant, but a slow decline began after World War II. Rounds of acquisitions, closures, and bankruptcies shifted the brand landscape in the eras that followed. Several brands from that period keep their lights on today but have transformed into novelty brands rather than producers of quality products. Others have been consigned to history’s proverbial dustbin, remembered only by the most fastidious enthusiasts. The brands included on this list have avoided such fates, whether it is due to their resilience through generations, their absorption into an international brand, or their ability to attract the spotlight of a major fashion house or celebrity. There is a rich, 250-year-old legacy of men’s hat making in the U.S.A., and these brands all share a piece of it. Differences between hat brands are no less distinct than those between history’s bowler, homburg, and derby dress hats. Brands are defined not only by their craftsmanship but also by the schools that have trained them. These distinctions are further colored by a brand’s ethos and the personalities that work in its ateliers. Great hat brands create and deliver products with attitude, history, and distinct characteristics. Customers trust made-to-measure and bespoke services from brands to design hats that consolidate their personal embodiment and lifestyle into a garment. Larger manufacturers, whose designers work at one remove from the customer, must be keenly perceptive about prevailing fashion trends while preventing themselves from chasing fads. The hats they design must connect with a customer’s subconscious, creating an identity that fits not only one’s literal or figurative head but also within the brand’s living history.
'Sustainability and Ethical Practices in the Men's Hat Industry: Discussion and Initiatives' Hats have a lower marginal impact than many other items in fashion and apparel in the area of resource consumption and waste, primarily because of their relatively low share in people's wardrobes. There are still some challenges within the production of hats. Several current and available brands use vintage hat-making equipment to either restore old hat manufacturing or to innovate new, small-batch brands. Brands are utilizing the craftsmanship and materials from the early decades of the 20th century to create new, high-quality, and conscientious headwear. In addition to the focus on a sustainable material culture in the hat-making process, there are other movements and organizations seeking to further improve the sustainability of fashion and apparel in general. For the hat and other accessory industry, the movement represents an interest in reducing one's carbon footprint and investing in fair labor practices for profit and non-profit enterprises. The textile and apparel industry has long been volatile, and many are predicting a paradigm shift as consumers become increasingly aware of the environmental and human suffering caused by consuming fast fashion. There is a conscious consumer movement that is demanding sustainable products, and this demand has increased significantly in recent years. Many small, sustainable brands are being purchased by much larger brands. Traditional brands seeking to get ahead in the industry capitalize on sustainability trends but are experiencing challenges in changing quickly enough to find authenticity with their consumers. Transparency in the supply chain, including how products are being made, where, by whom, and from what, are integral components of a successful sustainable products strategy in the new economy. In conclusion, the well-being of our planet needs a paradigm shift in consumer actions: people must become more mindful of what they consume and consider ethical practices in the industry.
The very best of today's men's hat designs mostly fall into the category of what is hipster inspired. Thankfully, the size of the hat these men prefer to wear is only about a centimeter or two smaller in the brim than the typical hat worn as a fad circa 1950. What does this tell us? It may be an indicator of what men will be wearing a few short years from now, or it may tell us that men like to wear their grandparents' hats. Either way, when considering where hats will go in the next 100 years, it is doubtful they will make a move any grander than they already have. It seems the industry has hit the end of the road for now, but really, what else is there that is new and original?
What we have to look forward to may arrive in the materials, the price, and the attitude or reason behind wearing a hat. No one knows what inventor will have a eureka moment and create a new type of wood, synthetic material, or new way of combining fibers to create an entirely new type of felt, but these are the types of things we would likely have to look forward to if a new type of hat will be created. Technology changes the game for productivity, but will it have any sudden impact on hat design? Right now, very few hatmakers are exploring different ways of making a hat other than by hand. Further development on fine machinery might lower costs and make old hat-making techniques more affordable to the masses. And what about the customer? The next trend may just come from the next viral video or feeling posted to all of our favorite social media pages. Now, any and every consumer can become an influencer on a small or major scale. Everything we wear or do as an art to turn a head may become a flash in the pan trend, perpetuated by regular people. Marketing strategies will have to adapt for a learned and more capricious consumer. These changes may impact the industry more. Perhaps an influx of smaller design companies will flourish with short-lived, focused, local trends which would recuperate the original trade back to the open community process. Or there might become more focus on the storehouse of traditions developing a newer, smaller but sure-headed customer. Because the potential customer is becoming unpredictable, a sense of grand story and older importance mixed with modern comfort might spin trendsetters to focus on elegant basics.
Keeping all these theories in mind, just imagine if in the next 100 years all hat styles, in every far-removed corner of the world, become similarly incorporated into the styles of every new generation of young black and brown-skinned kids from New York to Paris to Cairo. It seems that if hats are not to be worn in the same manner after 100 years, then hats are going to have a different symbolic value. Moderately, men's hats will be merely a prop of personal value and individual style. It is the attitudes of trends, trade, and culture where we can find the future of men's hats.
In this essay, we have seen how hats have been worn for function, status, and style for over the last three centuries. And we have witnessed their presence slip from the height of style only to reemerge just in time for the new millennia. Men wore hats to denote their wealth or occupation, resist their cold climates, promote identity, and protect their heads. Even the restrictions of a short paper can barely contain an explanation of all the looks and functions of men's hats in the late-colonial, revolutionary, and early American times. However, the internal safeguards and carefully chosen materials of the hat industry were not enough to protect men's hats from incursions by the new whims of the Air of Modernity.
Once en vogue, they have been lost in favor of new ones seen in the social lives of many people. By the late 1990s, particular styles of hats once again appeared on the heads of men nationwide. The hats were of such diverse styles and constructed of a wide range of materials that it becomes difficult to succinctly categorize them as we have done in earlier sections of this paper. Clover caps, berets, corduroy newsboys, leather ivy leaguers, moss green outdoorsmen hats, wool ski caps, Panamanian fedoras, Top Hats from around the world crafted from beaver, rabbit, and vicuna, and even light blue fedoras are but a sampling of the headgear en vogue. Many men and women are also bit by the vintage bug--beanies decorated with rainbow pom-poms, feathered vintage hats of light green, navy, or gray from thirty years ago, genuine fur ushankas and trapper hats, deerhunter pith helmets, and a myriad of other bygone styles. Furthermore, the products of modern fashion are only available because of economies of scale and cheap labor, and are sometimes rewarded by public scrutiny and controversies over working conditions. Social trends will probably result in novel ways of hat-wearing and hat-construction that are even now just over the fashion horizon. All throughout the years, regardless of context or style, the two primary functions of a hat are to keep the head warm and dry. Hats lend a very personal touch to a person’s expression of identity. They can be highly symbolic of a group identity or personal versatility; they can reveal social networks and relationships.